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The Studio@620 Reimagines A Streetcar Named Desire as a Study in Racial Identity and Power

Following back-to-back sold-out runs, the Studio’s “Sankofa Series” continues its record-breaking season of reinvention. Fresh off a historic streak of capacity crowds for Cadillac Crew and Julius Caesar, The Studio@620 announces its most provocative production of the season: a bi-racial reimagining of Tennessee Williams’s Pulitzer Prize-winning masterpiece,

First Look: The Orca Lands in the Shimberg

We just got our hands on some shots from Jobsite Theater’s production of The Shark Is Broken (running through April 5th), and the "no-intermission pressure cooker" vibes are immaculate. Check out Paul J. Potenza (Robert Shaw), Christopher James Marshall (Roy Scheider), and Cody Farkas (Richard Dreyfuss) getting

From the Handlebars to the Stage

Fran Powers’ Final Bow by Emily McLaughlin On Sunday, March 8th, the house lights at Hillsborough Community College didn’t just signal the end of the 6th annual Voices of Women Theater Festival—they signaled the end of an era. As the stage went dark, the audience sat in the

Grass, Grit, and Global Truths

Why Poynter Park is the Only "Gallery" That Matters This Month Video by Adam Bounds There’s a specific kind of magic that happens when you take high-level art and put it in the path of a humid Florida breeze. Most "prestige" art is locked behind

The Thaw Will Not Be Televised

St. Pete’s Werk Gallery transforms spring fever into a fever pitch of political dissent. by Avery Anderson Spring in St. Petersburg usually arrives with the gentle hum of tourism and the pastel promise of renewal. But at The Werk Gallery, the season isn’t breaking with a bloom; it’